The Twenty Greatest Film Heroes

The Twenty Greatest Film HeroesWhat makes a hero?  A single act of bravery?  Standing up for something while others remain seated?Or, is it the unlikely individual who rises to enormous heights in time of crisis?  I don’t know…I do know that we need them.  They bring a sense of purpose to our unsteady world.  So, with those cheery thoughts, I give you “The Twenty Greatest Film Heroes”.

In no particular order…

1.Gregory Peck.  “To Kill A Mockingbird”.  1962.  This definitely was Peck’s tour de force, bringing an amazing sensitivity and intelligence to this wonderful character.

2.Denzel Washington.  “Malcolm X”.  1990.  A majestic and volcanic performance.

3.Peter O’Toole.  “Lawrence of Arabia”.  1962.  He explodes onto the screen in this incredible debut.

4.Jack Nicholson.  “One Flew Over the Cuckoo’s Nest”.  1975.  Nicholson brought his own iconic charm to this legendary character. He also ushered in a bit of the counterculture as well.

5.Al Pacino.  “Serpico”.  1973.  Pacino played a man who stood up for to the NYPD and was shot for it!  He brought many colors to this complex role.

6.Sidney Poitier.  “In the Heat of the Night”.  1967.  The scene when Mr. Tibbs (Poitier) slaps back the racist white dude was called “the slap heard ’round the world”.

7.Russell Crowe.  “Gladiator”.  2000.  He brought a sensitivity and a force to an otherwise traditional film role.

8.Burt Lancaster.  “From Here to Eternity”.  1953.  His performance as Sgt. Warden is commanding.

9.Paul Newman.  “Cool Hand Luke”. 1967.  Unlikely heroes are always appealing, but Newman’s droll performance as Luke brought it to a new level.

10.Marlon Brando.  “On the Waterfront”.  1954.  Much has been written about Brando’s award-winning performance as Terry Malloy.  Transcending!

11.Montgomery Clift. “From Here to Eternity. 1953. He gives this sad soldier (Robert E. Lee Prewitt) many nuances.

12.James Stewart.  “Mr. Smith Goes to Washington”.  1939.  He played many heroes, but none with quite the power that he brought to this Washington innocent.

13.Henry Fonda.  “Grapes of Wrath”  1940.  His face captures a world of pain, the definitive Tom Joad.

14.Ben Kingsley.  “Gandhi”.  1982.  This brilliant actor was unknown to many when he took this demanding role and amazed the world.

15.Kirk Douglas.  “Spartacus”.  1960.  Intensity doesn’t begin to describe what Douglas brings to this early revolutionary.

16.Edward James Olmos.  “Stand and Deliver”.  1988.  This titan math teacher James Escalante created a movement in East L.A.  Bravo! Olmos is sublime!

17.Dustin Hoffman.  “Little Big Man”. 1970.  Caught between two cultures, we find comfort in Jack Crabb’s stoic and ironic life.

18.Alan Arkin.  “Catch 22”.  1970.  This iconic anti-hero was beautifully embodied by Mr. Arkin.

19.Daniel Day Lewis.  “Lincoln”.  2012.  Our greatest actor played one of our greatest presidents.  The result was a triumph on about every thespian level.

20.Spencer Tracy.  “Inherit the Wind”.  1960.  Who but Spencer Tracy would you want to play this great man (Clarence Darrow)?  A perfect blending of actor and material.


The Twenty Greatest Films in Color (Cinematography)

Do we dream in color?  The experts say 80% of the time we do.  The artists who worked in this medium not only enhanced the films they participated in but elevated the art form itself.  So, with these lofty words, I give you “The Twenty Greatest Films in Color” (Cinematography).

In no particular order…

  1. “2001” (1968)  Geoffrey Unsworth.  Visually, this landmark film cannot be overestimated.
  2. “Apocalypse Now” (1979)  Vittorio Storaro.  Filmed by the Italian maestro, this surrealistic Jungian jungle journey is a stunner.
  3. “The Godfather” (1972)  Gordon Willis.  Executives were alarmed when they saw how dark Willis had lit the film.  He changed cinema forever.
  4. “Black Narcissus” (1947)  Jack Cardiff.  Made on a sound stage, Cardiff convinces us they are in the Himalayas.  Amazing…
  5. “Wild at Heart” (1990)  Frederick Elmes.  Even more visually astonishing than “Blue Velvet”, Lynch’s frequent collaborator creates a hellish road comedy for the ages.
  6. “The Last Emperor” (1987)  Vittorio Storaro.  Filming in the actual forbidden city, Soraro paints a complex and illuminating portrait of China.
  7. “The French Connection” (1971)  Owen Roizman.  The menace of the New York streets pulsates thru Roizman’s lens.
  8. “E.T.” (1982)  Allen Daviau.  Delicate and textured, the cinematography is surprisingly underrated.
  9. “Rear Window” (1954)  Robert Burks.  The camera is literally a character in this precise, yet mesmerizing work.
  10. “Taxi Driver” (1976)  Michael Chapman.  This Dostoevsky like-tale casts a neon glow to the inferno in which the main character is engulfed.
  11. “American Graffiti”  (1973)  Haskell Wexler.  Filmed almost entirely at nighttime, Wexler paints a vibrant world of cool cars and cool cats.
  12. “The Day of the Locust” (1975)  Conrad Hall.  By desaturating the color scheme, Hall creates images that suggest Goya.
  13. “McCabe and Mrs. Miller” (1971)  Vilmos Zsigmond.  Like a beautiful painting, Zsigmond’s camera captures the stunning beauty of nature, contrasting with the monstrous actions of man.
  14. “Days of Heaven” (1978)  Nestor Almendros.  Nature and man clash in this pictorial masterpiece.
  15. “Fanny and Alexander” (1983)  Sven Nykvist.  Bergman’s longtime cinematographer creates some beautiful imagery in his final work.
  16. “Catch 22” (1970)  David Watkin.  This famous English cinematographer brought a surrealism to this failed Hollywood attempt at a literary classic.
  17. “Barry Lyndon” (1975)  John Alcott.  A watershed of cinematography using candlelight, Alcott made a living painting come to life.
  18. “Goodfellas” (1990)  Michael Ballhaus.  Red is the dominant color in this brilliant film, signifying both their delicious meals and their countless killings.
  19. “Do the Right Thing” (1989)  Ernest Dickerson.  In this modern day urban “Our Town”, Dickerson tones match the ambitions of the young director.
  20. “Lawrence of Arabia” (1962)  Freddie Francis.  The desert was definitely a collaborator under the poetic eye of Mr. Francis.

The Twenty Greatest Cinematographers in Black and White Films

Do we dream in color?  Or in black and white?  Orson Wells once said that black and white was the actor’s friend.  I think he was right, especially when you look at how Ford turns Wayne’s image into something of mythic proportions with “Stagecoach” (1939), or how film noir uses shadows to suggest its characters’ state of mind.  Whatever the aesthetic reasons, black and white films should be celebrated for the worlds that the artists create.  So, with these thoughts in mind, I give you “The Twenty Greatest Cinematographers in Black and White Films”.

In no particular order…

1.”Stagecoach”  (1939)  Bert Glennon’s filming of Monument Valley helped turn the Western into an art form.

2.”Raging Bull”  (1980)  Michael Chapman’s glistening black and white cinematography contrasts with the ugliness of the main character.

3.”Citizen Kane”  (1941)  Gregg Toland’s influence on cinema itself cannot be overestimated.

4.”Double Indemnity”  (1944)  John Addison’s look became the prototype for all film noirs.

5.”Touch of Evil”  (1958)  Richard Metty’s opening crane shot has gone on to cinema history.

6.”Grapes of Wrath”  (1940)  Gregg Toland’s touch gave the film an authenticity and grace.

7.”Sunset Boulevard”  (1950)  John Addison’s lens captured a nightmarish world.

8.”Hud”  (1963)  James Wong Howe’s evocative work won an Oscar for this veteran cinematographer.

9.”The Last Picture Show”  (1971)  Robert Surtee brought a beauty to the film’s barren imagery.

10.”On the Waterfront”  (1951)  Boris Kaufman’s vision captures a documentary-like style.

11.”Sunrise”  (1927)  Karl Struss and Charles Roshner received the first Oscar ever given for cinematography.

12.”Midsummer Night Dream”  (1935)  Hal Mohr’s Oscar was bestowed by a write-in ballot, the one and only time in the history of the Academy Awards.

13.”Night of the Hunter”  (1955)  Stanley Cortez, although influenced by German Expressionism, created something new in film.

14.”Stranger on a Train”  (1951)  Robert Burk’s shot from the murdered girl’s point of view is brilliant.

15.”The Informer”  (1935)  Joseph H. August convinces viewers that the film is set in Dublin, although it was made entirely on a sound stage.

16.”Psycho”  (1960)  Alfred Hitchcock used John L. Russell, his television show’s cinematographer, to great effect.

17.”The Scarlett Empress” (1934)  Von Sternberg and his great cinematographer Bert Glennon create their own world.

18.”Dr. Jekyll and Mr. Hyde”  (1931)   Karl Struss’ transformation scene is still amazing after all these years.

19.”In Cold Blood”  (1967)  Conrad Hall’s sensitivity with the black and white format earned him his first nomination.

20.”The Asphalt Jungle”  (1950)  Harold Rosson’s camera captures the nighttime world of Huston’s characters with true melancholy.






The Twenty Greatest Heist Films

July 20, 2016

I must have larceny in my heart, for I seem to have a real fondness for the heist film.  I have even been known to root for the bad guys to get away with it.  Maybe what the heist film does is provide a certain wish fulfillment for the audience; it’s a safe way to dabble at the darker side of our nature.  I mean, who hasn’t thought about an easy way to make a lot of money, or to get out from under a dire financial situation?  Well, these questions are what I believe make the heist film so appealing.  So, on that note, I give you “The Twenty Greatest Heist Films”.

In no particular order…

1.”The Killing”  1956  Stanley Kubrick.  Early Kubrick effort is a tightly structured look at a truly failed robbery.

2.”Quick Change”  1990  Bill Murray, Howard Franklin.  This is one of the more cheerful entries in the heist genre.

3.””The Asphalt Jungle”  1950  John Huston.  The most existential of all heist films-beautifully realized.

4.”Friends of Eddie Coyle”  1972  Peter Yates.  Working class characters give an authenticity to film.

5.”Dog Day Afternoon”  1975  Sidney Lumet.  Eccentric bank robbery makes the onlookers part of the circus.

6.”Inside Job”  2000  Spike Lee.  This tense, little heist film is full of surprises.

7.”The Anderson Tapes”  1972  Sidney Lumet.  Not a great film, but it makes an interesting comment on how we are all being watched.

8.”The Drop”  2014  Michael R. Roskam.  Gritty neighborhood heist film was penned with the nuances by the wonderful Dennis Lehane (Mystic River).

9.”The Man Who Wasn’t There”  2000  Coen Brothers.  Very unusual noir film shot in glorious black and white.

10.”Dead Presidents”  1995  Albert Hughes, Allen Hughes.  Insane heist film is perhaps too ambitious for what it delivers.

11.”Heat”  1995  Michael Mann.  Thought-provoking heist film that benefits from an excellent cast.

12.”Kansas City Confidential”  1952  Phil Karlson.  Kinda creepy heist film makes the robbers hauntingly anonymous.

13.”Point Break”  1991.  Kathryn Bigelow.  Unique spin on the genre,but too long for it’s own good.

14.”Criss Cross”  1949  Robert Siodmak.  Romantic fatalism skillfully served.

15.”Rififi”  1954  Jules Dassin.  This film has a wonderful twenty minute safe-cracking sequence.

16.”The Bling Ring”  2013  Sophia Coppola.  Sly, seductive offering by the talented offspring.

17.”The Maltese Falcon”  1941  John Huston.  The robbery of dreams?

18.”Resevoir Dogs”  1992  Quentin Tarantino.  Framed through a flashback, this amazing first feature still impresses.

19.”The Thomas Crown Affair”  1968  Norman Jewison.  White collar crime with a 60’s sensibility.

20.”The Town”  2010  Ben Affleck.  These neighborhood bank robbers still live in and rob from their old neighborhoods.





Twenty More Underrated Films

June 20, 2016

When I compiled the list of “The Twenty Greatest Underrated Films”,  I felt that I had left off a few good ones.  And, since I am a lover of the cinema, I decided to dig up a few more gems to include on “Twenty More Underrated Films”.

In no particular order…

  1. “Badlands” (1973)  Terrence Malick.  Malick’s first feature is filmed in a cold, detached manner to resemble the affect of the main characters.
  2. “Force of Evil” (1948)  Abraham Polonsky.  Just about everyone was blacklisted on this tale of capitalism and corruption.
  3. “The Shining” (1980)  Stanley Kubrick.  Many people were disappointed with this version of King’s novel, but I see it as a marital black comedy, complete with ghosts.
  4. “Murder at the Vanities” (1934)  Martin Leisen.  Pre-code murder mystery musical is a whole lotta fun and a little naughty, too.
  5. “Dante’s Inferno” (1935)  Harry Lachman.  Imaginative venture from MGM, featuring one amazing scene set in Hell.
  6. “Up the Down Staircase” (1967)  Robert Mulligan.  The best of all films about teaching.  It makes the public school system in a big city look like a battle zone.
  7. “The Landlord” (1970) Hal Ashby.  Ashby’s first feature is a freewheeling satire on race relations.  However, it does contain some moments of real insight.
  8. “If I Had a Million” (1932)  Ernest Lubitsch, Norman Z. McLeod, and others.  One of the best of all the anthology films.  I particularly like the W.C. Field’s sequence.
  9. “The Gypsy Moths” (1969) John Frankenheimer.  Existential to say the least.  Frankenheimer’s moody meditation on risktakers is subtle yet powerful.
  10. “Alice in Wonderland” (1933)  Norman Z. McLeod.  Unfairly neglected, this all star Paramount feature is surprisingly close in tone to the Lewis Carroll classic.
  11. “The Wind” (1928)  Victor Sjostrom.  The elements enhance the metaphor in this silent film masterwork.
  12. “King of the Ants” (2002) Stuart Gordon.  Skin-crawling tale of man’s ability to reduce himself to something less than human.
  13. “West of Zanzibar” (1929) Tod Browning.  Exotic, bizarre, and quite politically incorrect; one of the best Chaney/Browning collaborations.
  14. “It’s a Gift” (1934) Norman McLeod.  At 73 minutes, it’s uproarious; a real unsung gem of the genre.
  15. “Carnal Knowledge” (1971) Mike Nichols.  Jules Feiffer’s disturbing depiction f a generation of men who were afraid of women.
  16. “California Split” (1974)  Robert Altman.  Sobering account of two gamblers’ reckless weekend spree.
  17. “Death Becomes Her” (1992) Robert Zemeckis.  Uneven, but at times an eye-opening satire of narcissism taken to a whole new level.
  18. “Lilith” (1964) Robert Rossen.  Strange film which has gained a cult following over the years.
  19. “The Birds” (1963) Alfred Hitchcock.  Although it was popular with audiences in its day, it received mixed reviews.  This highly influential film belies its own facade to show a crumbling world.
  20. “The Candidate” (1972) Michael Ritchie.  This smart film leaves you feeling rather helpless towards the political process.




The Twenty Greatest Underrated Male Performances

May 20, 2016

In my mind, I collect great performances as one would collect baseball cards. And, when I find one that’s valuable, I file it away in my mind, forever.   Some of these performances have been forgotten, or they just never got their proper due.  So, without further ado, I give you “The Twenty Greatest Underrated Male Performances”.

In no particular order…

  1.  Steve McQueen  “Baby the Rain Must Fall”  (1965)  Robert Mulligan.  Drawing on his own troubled youth, McQueen brought a real resonance to  this doomed character.
  2.  Jeff Goldblum  “The Fly”  (1986)  David Cronenberg.  Finally, Goldblum’s mannerisms were used to good effect.  Cronenberg also brought out a poignancy that is missing in most of his work.
  3.  Jeff Bridges  “Fearless”  (1993)  Peter Weir.  Never one to shy away from  playing unsympathetic characters, Bridges brought a fevered intensity to  this troubled man.
  4.   John Heard  “Cutter’s Way”  (1981)  Ivan Passer.  Modern day Ahab played   with great humor and power by this underrated actor.
  5.   Sterling Hayden  “The Asphalt Jungle”  (1950)  John Huston.  Hayden            brings a ragged humanity to this tragic figure.
  6.   Dustin Hoffman  “Straight Time”  (1978)  Ulu Grosbard.  Hoffman plays     career criminal Max Dembo like a man who doesn’t know which way to       turn.  He lets us see into this man’s frightened heart.
  7.   Jason Robards  “A Thousand Clowns”  (1965)  Fred Coe.  The other actors     won the Tonys and the Oscars, so somehow this iconic performance was     forgotten.  It’s too bad, because it’s quite skillful.
  8.   Donald Sutherland  “MASH”  (1970)  Robert Altman.  Sure, it made him a     star, but most people don’t remember that he’s even in the movie.  He       was somehow overshadowed by all the surroundings, but it’s a supreme     comic performance.
  9.   Elliot Gould  “The Long Goodbye”  (1973)  Robert Altman.  Gould’s take on   Marlowe was quite unique.  He updated him but kept his essence.
  10.   Alan Arkin  “Yosserian”  (1970)  Mike Nichols.  I know Arkin didn’t like       his performance, but I think he embodied this character perfectly.
  11.   Boris Karloff  “The Body Snatcher”  (1944)  Robert Wise.  What’s so               compelling about Karloff’s performance is that he shows you why he’s         become the man he is.
  12.   Robert DeNiro  “The King Of Comedy”  (1983)  Martin Scorsese.  This             ferocious clown was too disturbing for audiences back in 1983.  Now, he       seems almost reasonable in a sick way.
  13.  Martin Sheen “Badlands”  (1974)  Terrence Malick.  Sheen chillingly  underplays Starkweather.  He appears like a man whose  mask of sanity is  slowly coming apart.
  14.  Marlon Brando  “Reflections in a Golden Eye”  (1968)  John Huston.  Brando boldly plays this closeted man with such intensity that he almost  burns a hole in the screen.
  15.  Gregory Peck  “I Walk the Line”  (1971)  John Frankenheimer.  Obsessive  doesn’t begin to describe this lovesick southern sheriff.  Peck brought a  surprisingly intensity to his performance.
  16.   Joseph Cotten  “Shadow of a Doubt”  (1943)  Alfred Hitchcock.    Charming, debonair, and ultimately deadly.
  17.  Walter Matthau  “Charlie Varrick”  (1973)  Don Siegal.  Unusual role for         Matthau brought out the darkest colors he ever exhibited as an actor.
  18.   Gene Hackman  “Scarecrow”  (1973)  Jerry Schatzberg.  This guarded,           tough-minded man was played gloriously by Hackman.  What I’ve always   admired about his work here is that he always includes the hope of the         dreamer.
  19.   Peter O’Toole  “Brotherly Love”  (1970)  J. Lee Thompson.  Only an actor     of absolute grace could pull off this sad, and at times, morally                         questionable man.
  20.   Humphrey Bogart  “In a Lonely Place”  (1952)  Nicolas Ray.  Produced by       Bogart’s own company, this sublime performance haunts one, because of   the sheer sadness this legendary actor brought to the role.





April 20, 2016

You can have the biggest stars in a film, but if they don’t click together as characters, then all you really have are some bloated paychecks posing for the camera.  And though the phrase “ensemble film” is thrown about quite a bit, very few really deserve that distinction.  The list of films I have chosen here have been selected after much thought.  These particular group of actors somehow bring out the qualities that best describe the magic that is an ensemble film.  So, with that, I give you “The Twenty Greatest Ensemble Films”.

In no particular order…

  1. “The Godfather” (1972)  Francis Ford Coppola.   The operatic nature of the material brought out a sense of” famiglia”  in the film’s passionate performances.  The cast includes Marlon Brando, Al Pacino, Robert Duvall, James Caan, Diane Keaton, Sterling Hayden, John Cazale.
  2. “Mystic River”  (2001)   Clint Eastwood.  This fine ensemble displayed the nuances of growing up in a small town back East.  The cast includes Sean Penn, Tim Robbins, Kevin Bacon, Laura Linney, Laurence Fishburne, Marcia Gay Hayden.
  3. “The Big Chill” (1983)  Lawrence Kasdan.  If you’re looking for an insightful film about the 60’s, this ain’t it.  But, if you’re looking for an insightful film about friendships, this is one of the better examples.  The cast includes William Hurt, Kevin Kline, Glenn Close, Tom Berenger, JoBeth Williams, Jeff Goldblum, Mary Kay Place.
  4. “Shampoo” (1975)  Hal Ashby.  An L.A. version of “La Dolce Vita” with farcical elements,  played with great aplomb by its talented cast which includes Warren Beatty, Julie Christie, Goldie Hawn, Jack Warden, Lee Grant, Carrie Fisher.
  5. “Goodfellas”  (1990)  Martin Scorsese.  The actors bounced off each other in a rhythmic and jolting way as we inhabit their dangerous world.  The cast includes Ray Liotta, Robert DeNiro, Joe Pesci, Paul Sorvino.
  6. “On the Waterfront”  (1954)  Elia Kazan.  Actors seemed to do their best work under Kazan’s direction, but this film is for the time capsule.  The cast includes Marlon Brando, Karl Madden, Lee J. Cobb, Rod Steiger, Eva Marie Saint.
  7. “Pulp Fiction”  (1994)  Quentin Tarantino.  Mixing familiar faces with new ones, Tarantino’s ensemble grooved on the colorful dialogue and generally seemed to be having a great time.  The cast includes John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Harvey Keitel, Ving Rhames.
  8. “Dinner at Eight”  (1933)  George Cukor.  Cashing in on the previous year’s all star hit “Grand Hotel” (1932), MGM assembled an even better script and cast which included John Barrymore, Jean Harlow, Wallace Berry, Marie Dressler, Lionel Barrymore, Billie Burke.
  9. “From Here to Eternity”  (1953) Fred Zinnemann.  Columbia had the good sense to cast actors who were at the height of their craft.  The cast includes Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest Borgnine.
  10. “The Last Picture Show”  (1971)  Peter Bogdanovich.  At the time these marvelous actors were not as well known, so there was an air of authenticity going on in this film.  The cast includes Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson, Cloris Leachman, Ellen Burstyn, Randy Quaid.
  11. “Glengarry Glenn Ross”   (1992)  James Foley.  This amazing group of actors bit into this material like a pack of hungry, but grateful, dogs!  The cast includes Al Pacino, Jack Lemmon, Alec Baldwin, Alan Arkin, Ed Harris, Kevin Spacey, Jonathan Pryce.
  12. “MASH”  (1970)  Robert Altman.  The overlapping dialogue seemed as fresh as anything the cinema had ever offered.  The cast includes Donald Sutherland, Elliott Gould, Robert Duvall, Sally Kellerman, Fred Williamson, Bud Cort, John Schuck.
  13. “Short Cuts”  (1996)  Robert Altman.  Once again, Altman assembled an even more diverse group of actors to embody the people of Raymond Carver’s world.  The cast includes Andie MacDowell, Bruce Davison, Julianne Moore, Matthew Modine, Anne Archer, Fred Ward, Jennifer Jason Leigh, Chris Penn, Tim Robbins, Lily Tomlin, and more!
  14. “American Graffiti”  (1973)  George Lucas.  These fresh-faced actors became part of a nighttime brigade of cool cars and cool cats.  The cast includes Richard Dreyfuss, Ron Howard, Paul Le Mat, Cindy Williams, Harrison Ford, Charles Martin Smith.
  15. “Nashville”  (1975)  Robert Altman.  twenty-four speaking parts spread across a busy weekend in Nashville (The Grand Ole Opry).  Altman seamlessly intertwines the lives of these characters  with an active ensemble cast which includes Lily Tomlin, Keith Carradine, Ronee Blakley, Henry Gibson, Allen Garfield, Barbara Harris, Shelley Duvall, Keenan Wynn,
  16. “Dog Day Afternoon”  (1975)  Sidney Lumet.  Lumet made the extras an important part of the ensemble, as well as the cast which includes Al Pacino, John Cazale, Charles Durning, Chris Sarandon.
  17. “The Asphalt Jungle” (1950)  John Huston.  These are nighttime people who hide within the shadows.  Huston was criticized for humanizing these characters.  The cast includes Sterling Hayden, Sam Jaffe, James Whitmore, Louis Calhern, Marilyn Monroe.
  18. “Reservoir Dogs”  (1992)  Quentin Tarantino.  We never know their names, since the mastermind behind the heist named them all colors.  The drive of the narrative keeps an intensity to this ensemble cast which includes Harvey Keitel, Tim Roth, Steve Buscemi, Chris Penn, Lawrence Tierney.
  19. “All the President’s Men”  (1976)  Alan J. Pakula.  The historical importance of this film brought a fine group of actors to this enterprise.  The cast includes Robert Redford, Dustin Hoffman, Jason Robards, Jane Alexander, Jack Warden.
  20. “Twelve Angry Men”  (1957)  Sidney Lumet.  Almost a textbook example of the ensemble film.  The cast includes Henry Fonda, E.G. Marshall, Lee J. Cobb, Jack Warden, Ed Begley, Robert Webber.